The History of Shanghai & Shidaiqu

Shanghai Popular Song or Shidaiqu–What is it?

Shidaiqu, a genre of Chinese popular music often played on the radio and in films, originated from the international and cosmopolitan nightlife in Shanghai. In the 1930s, composer Li Jinhui, the “Father of Chinese Popular Music,” began writing this hybrid music that combined Chinese operatic music, American jazz, and Western music styles. It became immensely popular throughout the 1940s until the establishment of the People’s Republic of China led to the banning of shidaiqu, or “yellow music.” Many performers and others involved in the entertainment industry fled to Hong Kong in the 1950s. Shidaiqu later influenced other popular music genres such as Cantopop, Mandopop, and Hokkien pop.

Timeline

The First Opium War (1839–1842) with the United Kingdom and the subsequent Treaty of Nanjing opened Shanghai up to Western powers (Britain, France, USA, Germany)

1830

Battle of Chusan

The First Sino-Japanese War (1894–1895) led to regional dominance by Japan and further failure of the Qing Dynasty in preventing foreign influence from controlling China.

The 1911 Xinhai Revolution, led by revolutionaries near Shanghai, overthrew the Qing dynasty and led to the establishment of the Republic of China.

In the 1920s and 30s, Shanghai became a hub for the production of Chinese cinema, animation, and popular music as well as a hub for hedonistic activities including opium, prostitution, gambling, and entertainment. It was also the home of leftism and the founding of the Chinese Communist Party in 1921.

By 1936, Shanghai had grown exponentially to a population of 3 million, a collection of native Chinese people, Russian and Jewish refugees, American or European expatriates, and visitors. Western influence helped transform Shanghai into a technologically and economically advanced city.

The Second Sino-Japanese War/World War II (1937–1945) led to the total Japanese occupation of Shanghai.

In 1949, the Commmunists took over Shanghai, cracking down on the cultural activities of the city and transforming it into an industrial center.

1950